Known for his entertaining programs and clever humor, Michael Krajewski is a much sought after conductor of symphonic pops. He is Music Director of The Philly Pops and Principal Pops Conductor of the Houston, Atlanta and Jacksonville Symphonies.

As a guest conductor Michael has performed with the Cleveland and Philadelphia Orchestras; the Boston and Cincinnati Pops; the San Francisco, Baltimore, Detroit, Indianapolis, Seattle, Dallas, St. Louis, Pittsburgh and National Symphonies, and numerous other orchestras across the United States. In Canada he has led Ottawa’s National Arts Centre Orchestra, the Toronto Symphony Orchestra, Calgary Philharmonic, and the Edmonton, Winnipeg and Kitchener-Waterloo Symphonies. Other international appearances include performances in Dublin and Belfast with the Ulster Orchestra as well as performances with the Hong Kong Philharmonic, Malaysian Philharmonic Orchestra, the Iceland Symphony Orchestra and this season’s debut with Spain’s Bilbao Symphony Orchestra.

Michael is the conductor of the video Silver Screen Serenade with violinist Jenny Oaks Baker that aired worldwide on BYU Broadcasting. On recording he has led the Houston Symphony on two holiday albums: Glad Tidings and Christmas Festival. In 2014/2015 Michael will be conducting his original Sounds of Simon & Garfunkel program all over North America featuring national touring artists AJ Swearingen and Jonathan Beedle. Michael’s other collaborative programs have included such artists as flutist James Galway, mezzo Marilyn Horne, pianist Alicia de Larrocha, guitarist Angel Romero, and pop artists Jason Alexander, Roberta Flack, Judy Collins, Art Garfunkel, Wynonna Judd, Kenny Loggins, Ben Folds, Doc Severinsen, Patti Austin, Sandi Patty, Ann Hampton Callaway, Chicago, the Preservation Hall Jazz Band, The Chieftains, Pink Martini, Rockapella, Cirque de la Symphonie, Classical Mystery Tour, Big Bad Voodoo Daddy and The Midtown Men.

With degrees from Wayne State University in Detroit and the University of Cincinnati College-Conservatory of Music, Michael furthered his training at the Pierre Monteux Domaine School for Conductors. He was a Dorati Fellowship Conductor with the Detroit Symphony and later served as that orchestra’s assistant conductor. He was resident conductor of the Florida Symphony and for eleven years served as music director of the Modesto Symphony Orchestra. Michael lives in Orlando, Florida with his wife Darcy. When not conducting he enjoys travel, photography and solving crossword puzzles.

Now in his 15th season as Music Director and Conductor of the Harrisburg Symphony Orchestra, Maestro Stuart Malina has built a reputation for orchestra building and multi-faceted versatility. In a wide variety of concerts, from masterworks and grand opera to pops, Maestro Malina’s ease on the podium, engaging personality, and insightful interpretations have thrilled audiences and helped to break down the barriers between performer and listener wherever he has worked. Maestro Malina was previously Music Director of the Greensboro Symphony Orchestra (1996-2003), and Associate Conductor of the Charleston Symphony Orchestra (1993-97).

In 2013, Maestro Malina was appointed Principal Guest Conductor of the Florida Orchestra, leading nine concerts each season, including the orchestra’s highly acclaimed Coffee series. He returns for the third time this winter to the Jacobs School of Music at Indiana University for a two-week residency. He made his Carnegie Hall debut in February of 2007, conducting the New York Pops in an all-Gershwin tribute including Rhapsody in Blue, which he conducted from the keyboard, and returned to Carnegie and the Pops in October of 2007. He has recently performed with the symphony orchestras of Hong Kong, Naples, New Mexico, Tampa/St. Petersburg, Fresno, Charleston, Greensboro, the Chautauqua Institution and the Sarasota Music Festival. Maestro Malina has had multiple engagements with the Indianapolis Symphony Orchestra, as well as the Eastern Music Festival, at which he conducted the world premiere of Billy Joel’s Symphonic Fantasies for Piano and Orchestra. In 2006, he debuted with the Pittsburgh Symphony Orchestra, and in 2007 with the Naples Philharmonic, after which he was reengaged for concerts in 2008 and 2009. He led the Shippensburg Festival Orchestra for three seasons, the second time performing with violinist Joshua Bell for a broadcast on PA Public Television. He has also appeared with the Detroit Symphony Orchestra, Buffalo Philharmonic Orchestra, Orchestra of St. Luke’s (NY), Kansas City Symphony, Youngstown Symphony, AIMS Festival Orchestra (Graz, Austria), North Carolina Symphony Orchestra, the Louisville Orchestra and the Queens Symphony Orchestra.

On the opera podium Maestro Malina’s recent production engagements include Opera Delaware (two runs of Porgy and Bess), Piedmont Opera (Massenet’s Manon) and Greensboro Opera (Il barbiere di Siviglia). He has also conducted many operas in concert, including La Bohème, Tosca and many Gilbert and Sullivan operettas. He has conducted several ballets as well, with the Charleston Ballet and with Central Pennsylvania Youth Ballet.

In May of 2008, Maestro Malina, with several members of the Pittsburgh Symphony Orchestra, spent 11 days in residence at the Tianjin Conservatory of Music in Tianjin, China, conducting the orchestra and coaching and performing chamber music. He also served as visiting conducting faculty at Penn State University for the fall semester of 2008.

In 2009, Pennsylvania Public Television awarded Maestro Malina with the Joanne Rogers Award for contribution to the artistic life of Pennsylvania, and in 2010, he was given the Jump Street Spectrum Award for excellence in the arts. He was honored by Lebanon Valley College in 2012 with the Founders Day Award, and received that same year The Award for Distinguished Service to the Arts from Theater Harrisburg. In 2013, he received Leadership Harrisburg’s Platinum Award for Servant Leadership.

An accomplished pianist, Maestro Malina has impressive credits as soloist and chamber musician. He has performed concertos in Harrisburg, Greensboro, Charleston, New York and Chautauqua, most often conducting from the keyboard. His recent chamber music activities include performances in Indiana (Music at Shaarey Tefilla and at the Jacobs School of Music); annual performances for the Market Square Concert series, collaborating with the Jasper Quartet, the Fry Street Quartet, the Enzo Quartet, the Dorian Wind Quintet, and oboist Gerard Reuter; presentations of Messaien’s Quartet for the End of Time on the Linton Series in Cincinnati; and recitals with violinist Alexander Kerr and cellists Zvi Plesser and Daniel Gaisford. He has been frequently engaged for the Music for a Great Space series in North Carolina, and was director of the Piccolo Spoleto Contemporary Music Festival from 1993 to 1995.

As a composer and arranger, Maestro Malina has created dozens of orchestral works, ranging from entire pops shows to works for symphony orchestra.  His most recent composition, Brahms Fan Fare received its world premiere by the Harrisburg Symphony Orchestra in May of 2011.

Maestro Malina’s activities also extend to Broadway. In June 2003, he won the Tony award for orchestration with Billy Joel for the musicalMovin’ Out, which Malina helped create with director/choreographer Twyla Tharp. He has served as music supervisor for every production of the show, both in the United States and in London. Maestro Malina has also served as Associate Conductor of the National touring company of West Side Story and as conductor of the Charleston production of Porgy and Bess with performances throughout the United States, Canada, and at the Israel Festival in Caesarea. He has also directed the music for over twenty musical theater productions. In 1995, in a strange turn of events, Malina appeared on stage, acting opposite Broadway legend Zoe Caldwell in Terrence McNally’s Tony-winning drama Master Class for its pre-Broadway run at the Kennedy Center in Washington, DC.

Maestro Malina holds degrees from Harvard University, the Yale School of Music, and the Curtis Institute of Music, where he studied conducting with Otto-Werner Mueller. He studied piano with Drora and Baruch Arnon and with Keiko Sato.

Denzal Sinclaire is one of Canada’s most popular jazz vocalists and is ranked among the finest jazz singers of his generation. A graduate of McGill University’s Jazz Performance program (Montreal, Canada), he possesses that rare ability to achieve, from the moment he steps on stage, a profound emotional interaction with his audience. His passionate and sincere delivery caresses every song he sings. He touches the listener with the purity of the message.

Denzal is a Juno Award (Canada’s GRAMMY Award) nominee, a recipient of the 2004 National Jazz Award for “Best Album”, four – time consecutive recipient of Jazz Report Magazine Award for Male Jazz Vocalist, and 2007 Choc Jazzman Award (France). His admirers include GRAMMY Award -Winning artists, Diana Krall (“Denzal Sinclaire embodies the tradition of the great singers I love like Nat Cole, yet definitely has his own voice. He is one of my favorite singers…”), Bette Midler, Dianne Reeves, Michael Fienstien and Michael Bublé as well as growing legions of jazz fans in his native Canada and abroad. From his early days as a canny interpreter of Nat ‘King’ Cole’s mentholated crooning, he’s grown into one of the most distinctive and individualistic singers anywhere.

He has graced the stages numerous concert halls and festivals around the world and has appeared on several popular TV shows, including Canada’s Bravo!TV, Canada AM, Nashville Now, Ireland’s The Late Late Show. As a former member of UK soul artist, Jamie Lidell’s band, he has appeared on Late Night with Conan O’Brien, Jimmie Kimmel Live!, and Manu Katché’s show One Shot Not (France).

Equally at home in the theatre, film and television arenas, Denzal has delighted audiences with his critically-acclaimed performance in Unforgettable, a musical based on the life and music of Nat King Cole; Tapestry: The Music of Carole King (Arts Club Theatre); William Saroyan’s award-winning The Time of Your Life (Soul Pepper Theatre Company). His TV and film credits include appearances in the new Battlestar Gallactica TV Series (dir. Michael Rymer); and, Being Julia, starring being Annette Bening and Jeremy Irons (dir. István Szabó). Denzal’s voice has also been featured on TV and Radio ads in Canada and Japan.

A pivotal role in Denzal’s career was the collaboration with highly- sought after guitarist/composer/arranger Bill Coon whom he befriended in Montreal. Over the course of 15 years they performed to rave reviews in a variety of musical settings ranging from duo to symphony orchestras, as well as several live radio, television and studio recordings for the CBC (Canadian Broadcasting Corporation) and SRC (Société Radio-Canada). In 1994, they recorded an album of duets, and in 1996, recorded the very first in-studio concert for Canada’s BRAVO!TV with a unique ten-piece ensemble. They now enjoy a new type of collaboration as members of the Hammond Organ Auartet, The B3 Kings, featuring Bill on guitar; Cory Weeds, tenor sax; Chris Gestrin, B-3 organ; and Denzal on drums and vocals.

He has performed with renowned artists such as Patrice Rushin, Dee Dee Bridgewater, Janis Siegal, Dee Daniels, Kevin Mahagony, Michael Feinstein, Marilyn Mae, Bob Mintzer, Jimmy Heath, Barry Harris, The Count Basie Orchestra, Dame Cleo Laine, Sir John Dankworth, Peter Appleyard, Reuben Rogers, Gregory Hutchinson, Russell Malone, Seamus Blake, Nicholas Payton, Brian Blade, Jamie Lidell, Holly Cole, Vince Giardano & The Nighthawks, David Berger Jazz Orchestra, and the WDR Big Band. The list of artists he has supported includes Diana Krall, Dianne Reeves, Kurt Elling, Herbie Hancock, Wayne Shorter, Anita Baker, Four Tops, Holly Cole, Bill Charlap, Katie Melhua, Jane Monheit, Matt Dusk. Denzal has recorded three albums for Universal Music, I Found Love (Juno Award Nomination, 2000), Denzal Sinclaire (Best Album, National Jazz Awards, 2004) and My One and Only Love. (CHOC Jazzman Award, France 2007).

Courtesy of Greenberg Artist

Larry Blank is one of the most prolific and sought after composers, conductors, and orchestrators in the entertainment business today. His work has been presented all over the world, including some of Broadway’s most successful musicals, Carnegie Hall, and top television and film projects.

He was the Music Director/Conductor and/or vocal arranger for many shows on Broadway and in Los Angeles including They’re Playing Our Song, Evita, Sugar Babies, La Cage Aux Folles, Phantom of the Opera, Onward Victoria, Copperfield, Colette, A Chorus Line, and A Little Night Music. He has been nominated three times for both the Tony Award® and the Drama Desk Award for his orchestrations in the Drowsy Chaperone, Irving Berlin’s White Christmas and with Marc Shaiman for Catch Me If You Can. Larry received a Drama Desk nomination for orchestrations for A Christmas Story and Honeymoon in Las Vegas.

Larry contributed to the orchestrations for the stage and film production of The Producers.

Larry also contributed orchestrations to the film of Chicago.

Larry is a regular conductor and arranger for BBC Radio 2 Friday Night is Music Night in the UK.

Larry is also the Music Director and Orchestrator (along with Mark Cumberland) for the Oliver Awards in London.

Mr. Blank has worked with top talent from varied fields of the entertainment world, notably as personal conductor to Michael Crawford. He has also worked with Michael Feinstein, Marvin Hamlisch, Bernadette Peters, Kelsey Grammar, Christine Baranski, Roberta Flack, Pete Fountain, Peabo Bryson, Sally Kellerman, Nancy Dussault, Marc Shaiman, Jerry Herman, Ann Margaret, Davis Gaines, Bette Midler, George Benson, Placido Domingo, Randy Newman, Trisha Yearwood, Tom Scott, Quincy Jones, Michael Bolton, John Raitt, and Diang Rigg.

Blank’s background includes orchestrating and arranging songs for South Park and was Music Supervisor and Orchestrator for Jerry Herman’s movie, Mrs. Santa Claus starring Angela Lansbury and Charles Durning. Some of the films he lent his talent to include The Kid, Kiss the Girls, The American President, Forget Paris, City Slickers 2, The Net, That’s Entertainment 3, North, I’d Do Anything, and Stuart Save His Family. Blank’s music can be heard on the animated feature films, Cats Don’t Dance and All Dogs Go To Heaven as well as the 101 Dalmatians Christmas Special.

Mr. Blank’s television work includes orchestrating and composing music for several of the GRAMMY Award and Academy Award shows as well as numerous television movies and shows.

Mr. Blank has guest conducted most of the orchestras throughout the world. Including San Francisco Symphony, New York Philharmonic, Western Australia Symphony Orchestra, LA Phil, Palm Beach POPS, Auckland Symphony, National Symphony Orchestra, Boston POPS, Chicago Symphony Orchestra, Calgary Symphony, New Orleans Symphony and Toronto Symphony.

Larry has been named resident pops conductor along with regular pops conductor Michael Feinstein for the Pasadena Symphony and POPS.

When Ana Gasteyer steps up to the mic, she evokes the swagger of an era when a lady ruled a nightclub and an audience knew they were in for good time. The patter is real, the themes adult; the lyrics are timeless, and the music swings like crazy!

From songs like One Mint Julep and Proper Cup of Coffee to a surprisingly smooth rendition of Carrie Underwood’s Before He Cheats, Gasteyer’s saucy selections tell stories with humor, heartbreak…and just a little splash of soda. Her vibe recalls that of a time when entertainers truly entertained, an era when a broad could bring home the bacon, swing a set of sultry standards
and still be a gracious hostess. Ana’s heroes are those fun-loving dames who downed a cocktail, donned a dress and fronted a band of dapper gents in sharp suits wielding shiny horns—think Barbara Stanwyck in Ball of Fire as she captures Gary Cooper’s heart. And then breaks it.

A violin player from the tender age of five, Gasteyer always had an ear for music and a knack for timing. Years later, after a formal education as a classically trained singer, she made the fateful discovery that she could get people laughing—and laugh they did every Saturday night at NBC’s Studio 8H. Audiences fell in love with Gasteyer’s flair for irony and character driven comedy on six seasons of SNL, where she unabashedly played, and often sang, at full-tilt.

Eventually, Broadway came calling and Gasteyer spent several years belting out superstar vocals in shows like Wicked and Rocky Horror. But she felt most at home crooning and chirping with a big band in a nightclub, amidst laughter and the inviting clink of ice in a glass. Her acclaimed shows, Let it Rip and Elegant Songs from a Handsome Woman earned praise from audiences and critics alike who hailed the acts as “exuberant and rollicking entertainment” with “high-octane vocals” and “a topnotch swingin’ ensemble.”

The current star of ABC’s Suburgatory (and vampy Weight Watchers spoke-singer) has teamed with producer and “New York Nightclub Supernova” Julian Fleisher to make this Moxie Jazz album with an eclectic range of covers and reimagined classics.

Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians.

Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work.

Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, Pittsburgh, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Manfred Honeck, Jacques Lacombe, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle.

Highlights of Yang’s 2016/17 season include her debuts with the Long Beach Symphony, Minnesota Orchestra and San Diego Symphony, recitals in Anchorage, Beverly Hills, Cincinnati, Denver, Nashville, Seattle, and at Spivey Hall in Georgia, and concerts with her frequent duo partner, violinist Augustin Hadelich, in Dallas, New York City, Saint Paul, San Francisco, and more. She will also perform at Chamber Music International in Dallas with the Alexander String Quartet, with whom she has recorded the Brahms and Schumann Piano Quintets. Fall marks the release of her first collaboration with Hadelich for Avie Records, and the world premiere recording of Michael Torke’s Piano Concerto, created expressly for her and commissioned by the Albany Symphony. Additional appearances showcasing her vast repertoire include performances as orchestral soloist in Arizona, California, Illinois, Michigan, New York, Ohio, Rhode Island and Texas. In Summer 2016 she appeared at the festivals of Aspen, Brevard, Lake Tahoe, Steamboat Springs and Sun Valley.

Recent season highlights include Yang’s debut with New Jersey Symphony on the occasion of Jacques Lacombe’s last concert as Music Director, multiple returns to the New York Philharmonic, Royal Flemish Philharmonic and Deutsches Symphonie-Orchester Berlin debuts, UK debut in the Cambridge International Piano Series, Montreal debut with I Musici de Montréal with Jean-Marie Zeitouni, and Pittsburgh Symphony debut playing Schumann’s Concerto under music director Manfred Honeck. She concluded a five-year Rachmaninoff cycle with de Waart and the Milwaukee Symphony, to which she brought “an enormous palette of colors, and tremendous emotional depth” (Milwaukee Sentinel Journal); joined the Takács Quartet for Dvořák in Lincoln Center’s Great Performers series; and impressed the New York Times with her “vivid and beautiful playing” of Schubert’s “Trout” Quintet with members of the Emerson String Quartet at the Mostly Mozart Festival at Lincoln Center.

In 2014, Yang “demonstrated impressive gifts” (New York Times) with a trio of album releases: her second solo disc for Avie Records, Wild Dreams, on which she plays Schumann, Bartók, Hindemith, Rachmaninoff, and arrangements by Earl Wild; a pairing of the Brahms and Schumann Piano Quintets with the Alexander Quartet; and a recording of Tchaikovsky’s Piano Concerto No. 1 with Denmark’s Odense Symphony Orchestra that International Record Review called “hugely enjoyable, beautifully shaped … a performance that marks her out as an enormous talent.” Of her 2011 debut album for Avie Records, Collage, featuring works by Scarlatti, Liebermann, Debussy, Currier, and Schumann, Gramophone praised her “imaginative programming” and “beautifully atmospheric playing.”

Born in 1986 in Seoul, South Korea, Yang received her first piano lesson from her aunt at the age of four. She quickly took to the instrument, which she received as a birthday present, and over the next few years won several national piano competitions in her native country. By the age of ten, she had entered the School of Music at the Korea National University of Arts, and went on to make a number of concerto and recital appearances in Seoul and Daejeon. In 1997, Yang moved to the United States to begin studies at the pre-college division of the Juilliard School with Dr. Yoheved Kaplinsky. During her first year at Juilliard, Yang won the pre-college division Concerto Competition, resulting in a performance of Haydn’s Keyboard Concerto in D with the Juilliard Pre-College Chamber Orchestra. After winning the Philadelphia Orchestra’s Greenfield Student Competition, she performed Prokofiev’s Third Piano Concerto with that orchestra at just twelve years old. She graduated from Juilliard with special honor as the recipient of the school’s 2010 Arthur Rubinstein Prize, and in 2011 she won its 30th Annual William A. Petschek Piano Recital Award.

Yang made her celebrated New York Philharmonic debut with Maazel at Avery Fisher Hall in November 2006 and performed on the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea. Subsequent appearances with the Philharmonic included the opening night of the Leonard Bernstein Festival in September 2008, at the special request of Maazel in his final season as music director. The New York Times pronounced her performance in Bernstein’s The Age of Anxiety a “knockout.”

Yang appears in the film In the Heart of Music, a documentary about the 2005 Van Cliburn International Piano Competition. She is a Steinway artist.

www.artsmg.com

Photo credit: KT Kim

Silver medalist in the 2015 International Tchaikovsky Competition and winner of the prestigious XIV Concours International Grand Prix Animato 2014 Paris, George Li (黎卓宇) is regarded as one of the world’s most talented and creative young pianists. His astonishing technique, distinctive tonal quality, and exceptional musicality have earned him consistent critical acclaim (New York Times, Washington Post, International Piano Magazine, Toronto Star, The Boston Phoenix, The Boston Music Intelligencer) and enthusiastic audience response worldwide for his solo recitals, orchestral collaborations, and chamber music performances.

JoAnn Falletta is internationally celebrated as a vibrant ambassador for music, an inspiring artistic leader, and a champion of American symphonic music. An effervescent and exuberant figure on the podium, she has been praised by The Washington Post as having “Toscanini’s tight control over ensemble, Walter’s affectionate balancing of inner voices, Stokowski’s gutsy showmanship, and a controlled frenzy worthy of Bernstein.” Acclaimed by The New York Times as “one of the finest conductors of her generation”, she serves as the Music Director of the Buffalo Philharmonic Orchestra and the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and music advisor to the Hawaii Symphony.

Ms. Falletta is invited to guest conduct many of the world’s finest symphony orchestras. Recent guest conducting highlights include debuts in Belgrade, Gothenburg, Lima, Bogotá, Helsingborg, Orchestra of St. Luke’s, a European tour with the Stuttgart Orchestra, return engagements with the Warsaw, Detroit, Phoenix, and Krakow Symphony Orchestras and a 13 city US tour with the Irish Chamber Orchestra with James Galway.
 
She has guest conducted over a hundred orchestras in North America, and many of the most prominent orchestras in Europe, Asia, South America and Africa. Her North America guest conducting appearances have included the orchestras of Philadelphia, Los Angeles, San Francisco, Dallas, St. Louis, Milwaukee, Indianapolis, Seattle, San Diego, Montreal, Toronto and the National Symphony and international appearances have included the London Symphony, Czech Philharmonic, Rotterdam Philharmonic, Korean Broadcast Symphony, Seoul Philharmonic, China National Symphony, Shanghai Symphony, Liverpool Philharmonic, Manchester BBC Philharmonic, Scottish BBC orchestra, Orchestra National de Lyon and Mannheim Orchestra among others. Ms. Falletta’s summer activities have taken her to numerous music festivals including Aspen, Tanglewood, the Hollywood Bowl, Wolf Trap, Mann Center, Meadow Brook, OK Mozart Festival, Grand Teton, Eastern, Peninsula and Brevard Festival.
 
Falletta is the recipient of many of the most prestigious conducting awards including the Seaver/National Endowment for the Arts Conductors Award, the coveted Stokowski Competition, and the Toscanini, Ditson and Bruno Walter Awards for conducting, as well as the American Symphony Orchestra League’s prestigious John S. Edwards Award. She is an ardent champion of music of our time, introducing over 500 works by American composers, including more than 110 world premieres. Hailing her as a “leading force for the music of our time”, she has been honored with twelve ASCAP awards. Ms. Falletta served as a Member of the National Council on the Arts during both the George W Bush and Obama administrations.
 
Her growing discography, which currently includes over 90 titles, consists of recordings with the Buffalo Philharmonic, Czech National Symphony, English Chamber Orchestra, Lithuanian National Symphony London Symphony, Long Beach Symphony, Netherlands Radio Orchestra, New Zealand Symphony, Philadelphia Philharmonia, Prague Philharmonic, Royal Scottish National Orchestra, Ulster Orchestra, Virginia Symphony and the Women’s Philharmonic. Her recording with the Buffalo Philharmonic and soprano, Hila Plitmann of Corigliano’s Mr. Tambourine Man received two Grammy Awards in 2009. Grammy nominated discs include her recordings with the Buffalo Philharmonic of Tyberg’s Symphony No. 3, Corigliano’s Red Violin, Schubert’s Death and the Maiden, Strauss’s Rosenkavalier, and Dohnanyi’s Variations on a Nursery Song. In her role as Principal conductor of the Ulster Orchestra from 2011-2014, Ms. Falletta recorded 6 CDs for the Naxos returning the orchestra to its renowned recording history.

Upcoming discs on the Naxos label include the works of Florent Schmitt, Novak, Scriabin and Wagner with the Buffalo Philharmonic, works of Paine and Victor Herbert with the Ulster Orchestra and works of Stravinsky and Mahler with the Virginia Symphony.
 
The Buffalo Philharmonic Orchestra’s 2015-16Season celebrates the 75th anniversary of Kleinhans Music Hall with works showcasing the hall’s exquisite acoustics. Recording highlights for the Buffalo Philharmonic’s 2015-16 season include the release by Naxos of the music of Florent Schmitt, and Beau Fleuve releases of The Essential Sibelius in honor of his birthday and the BPO’s Finland Celebration, and the Orchestra’s first ever Children’s CD, featuring Carnival of the Animals, Sorcerer’s Apprentice and Mother Goose Suite.
 
Since stepping up to the podium as Music Director of the Buffalo Philharmonic Orchestra in the fall of 1999, Maestro Falletta has been credited with bringing the Philharmonic to a new level of national and international prominence. This season, the BPO will once again be featured on national broadcasts of NPR’s Performance Today and SymphonyCast, and international broadcasts through the European Broadcasting Union.
 
Under Falletta’s direction, the VSO has risen to celebrated artistic heights. The VSO, which made critically acclaimed debuts at the Kennedy Center and New York’s Carnegie Hall under Falletta and entered into their first multinational recording agreement with Naxos, performs classics, pops and family concert series in Norfolk, Virginia Beach, Newport News and Williamsburg.
 
In addition to her current posts with the Buffalo Philharmonic, the Virginia Symphony, Brevard Music Center and Hawaii Symphony, Ms. Falletta has held the positions of principal conductor of the Ulster Orchestra, principal guest conductor of the Phoenix Symphony, music director of the Long Beach Symphony Orchestra, associate conductor of the Milwaukee Symphony Orchestra, and music director of the Denver Chamber Orchestra.
 
Ms. Falletta received her undergraduate degree from the Mannes College of Music in New York and her master’s and doctorate degrees from The Juilliard School.

www.joannfalletta.com

Robert Istad is beginning his inaugural season as Artistic Director of Pacific Chorale. Mr. Istad’s 2016-2017 season included debuts with the Long Beach Symphony Orchestra, and return engagements with Pacific Chorale, Pacific Symphony Orchestra, Musica Angelica Baroque Orchestra, Sony Classical, and Long Beach Camerata Singers. He is also Dean of Chorus America’s Academy for Conductors. In June 2016, Istad made his debut with Berkshire Choral International and Santa Rosa Symphony Orchestra.

Istad has prepared choruses for a number of America’s finest conductors and orchestras, including: Gustavo Dudamel and the Los Angeles Philharmonic, Carl St.Clair and the Pacific Symphony Orchestra, as well as conductors Esa–Pekka Salonen, Keith Lockhart, Nicholas McGegan, Vasilly Sinaisky, Sir Andrew Davis, Bramwell Tovey, John Williams, Eugene Kohn, Eric Whitacre, Giancarlo Guerrero, Marin Alsop, George Fenton, and Robert Moody.

Istad is former Artistic Director of Long Beach Camerata Singers and Long Beach Bach Festival. Under his leadership, Long Beach Camerata Singers became recognized as one of the leading arts organizations of the Long Beach Performing Arts Center, created a performing partnership with Long Beach Symphony Orchestra and Musica Angelica Baroque Orchestra, as well as performed with Pacific Symphony Orchestra, and Long Beach Opera.

Istad is also Professor of Music and Director of Choral Studies at California State University, Fullerton. He was recognized as CSUF’s 2016 Outstanding Professor of the Year.  At CSU Fullerton, Istad conducts the University Singers and Women’s Choir in addition to teaching courses in conducting, performance practice and literature. Recently, he and the University Singers performed with the Los Angeles Philharmonic, Pacific Symphony Orchestra, Andrea Bocelli, Kathleen Battle, recorded albums with Yarlung Records and with composer John Williams and Sony Classical.

He and his singers performed a concert of Tarik O’Regan’s music for Distinguished Concerts International New York at Carnegie Hall in November 2015.  They performed at the 2013 ACDA National Conference in Dallas, Texas and the 2012 ACDA Western Division Conference in Reno, Nevada. They also performed for the 2013 National Collegiate Choral Organization National Conference in Charleston, SC. Istad and the CSUF University Singers have performed all over the world, including a 2015 residency and performances in Paris, France, engagements at the 2012 Ottobeuren Festival of Music in Germany, the 2012 Eingen Festival of music in Germany, a 2010 performance for UNESCO in Pisa, Italy, and in 2008 at the Liszt Academy of Music in Budapest, Hungary.

Istad received his Bachelor of Arts degree in music from Augustana College in Rock Island, Illinois, his Master of Music degree in choral conducting from California State University, Fullerton and his Doctor of Musical Arts degree in choral music at the University of Southern California. He studied conducting with Dr. William Dehning, John Alexander, and Dr. Jon Hurty.

Istad is President of the California Choral Director’s Association and is in demand as an adjudicator, guest conductor, speaker and clinician throughout the nation.

Award-winning violinist Carrie Kennedy has been the featured soloist with orchestras throughout the United States including the San Antonio, Richardson, University of Southern California, Torrance, Suburban, Brevard Festival, Clear Lake, Westchester, Solano and Magic Valley symphonies, and has performed concerts around the world.

She joined the Los Angeles Chamber Orchestra in January 2012. Currently, she is also a member of the New West, Long Beach and Pasadena Symphonies, and the Fiato Quartet. She also performs with Musica Angelica Baroque Orchestra, Pacific Symphony and the Santa Barbara Chamber Orchestra. She has toured with the Musica Angelica Baroque Orchestra in South America, the Percy Faith Orchestra in Japan, the Fiato Quartet in Costa Rica and with Andrea Bocelli. She has also recorded music for many commercials, motion pictures and records.

Kennedy is an alumnus of intensive chamber music programs at Tanglewood and Amelia Island where her quartet was coached by the American, Guarneri, Emerson, and Takacs quartets. While at Tanglewood, she served as concertmaster under Rafael Fruhbeck de Burgos and was broadcast live on New York’s WQXR in Strauss’s Ein Heldenleben. She has also spent summers at the International Holland Music Sessions where she studied with Hermann Krebbers, the Santander Master Courses in Spain with Zakhar Bron, and the London Master Classes where she studied with György Pauk and was chosen to have her lesson filmed by Online Classics for a television documentary on the master classes.

She holds a Master of Music degree from The State University of New York at Stony Brook, where she studied with Pamela Frank and Ani Kavafian, and a Bachelor of Music degree from the University of Southern California with Robert Lipsett.

Carrie resides in Pasadena with her husband and fellow LACO violinist Joel Pargman.